Exhibition response
by Susie Anderson
Whoever’s is the Soil,
Amelia Hine
*extremely salamander
voice* Whoever's is the soil is a good question, because my current thinking is
that we belong to it, not any other way round. Catholic ways, Blackfella
ways too. I’ve seen humans and their pursuits shrink, tiny and fragile at the
bottom of a cliff face, becoming a drop of water in the universal ocean, they
are just a small speck of dust in an enormous cave. These tiny people send a
silent prayer that echoes through my cavernous realm: can we still speak?
Though just a tiny salamander I have an opinion and I suggest a rephrase.. It’s
the soil’s. This soil’s what? You, me, them, your idea – to climb, explore, make – is the soil’s.Amelia Hine
Fountains for Moonee Ponds Creek,
Joseph L. Griffiths
(Dis)Connected to
Country,
Jahkarli Romanis
Some things can never
be captured. Send a picture satellite out into space, fine. Good luck trying to
take something that doesn’t belong to anyone. We belong to it. Even if we have
been far away, living off Country, the DNA of land is in our veins. Believe it
or not! Yet it’s possible to see something more real, sliding between
coordinates of where is. Resting in the haze where blue meets orange,
hue becoming something more than just the red centre. The desire is to find
some direction but no clear boundaries, no certain borders emerge. The glitch
was uninvasive. It gave something, it didn’t take. It became a doorway, a point
to enter through.Jahkarli Romanis
Torres Strait Virtual Reality,
Rhett Loban
Silurian Geology,
Tributaries
Susie Anderson uses words to reconnect with culture. A Wergaia woman from Western Victoria, her poetry and nonfiction have appeared in The Lifted Brow, Rabbit Poetry, un magazine, Artlink Australia and she was part of the anthology Growing Up Aboriginal in Australia. Susie's debut poetry collection The Body Country is in bookstores now.